Matthew Reeve
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Dick Whittington – UK Theatre Network Review

14 Dec 2010

There was an emphasis upon song much of which was modern pop, together with Cockney classics appropriate to this pantomime. The music was provided by an excellent orchestra.

Sue Marks, 14 December 2010, UK Theatre Network

http://www.uktheatre.net/magazine/read/dick-whittington_803.html

Projects

  • All Shows…

Recent Posts

  • Estill CFP Examinations at Arts1
  • The White Lady Returns
  • ATG Stage Experience MK Theatre 2017
  • New Production Of Grease In Oslo
  • Bruiser’s 2017 Revival Of Adrian Mole

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Musical Direction

Recent musical direction credits include: The Wizard Of Oz, Flashdance (Chateau Neuf, Oslo), Cabaret, The 25th Annual Putnam County Spelling (The MAC, Belfast), Snow White (Towngate Theatre, Basildon), Hansel & Grettel (Lyric Theatre, Belfast), Lady Windermere’s Fan (The MAC, Belfast and Irish Tour), Molly Wobbly’s Tit Factory (Lyric Theatre, Belfast and Assembly Rooms, Edinburgh).

Orchestration

Recent orchestration credits include: Grease (DNB Arena, Stavanger), Den Hvite Dame (Fredriksten Festning, Halden), Santa Claus The Musical (Worthing Pavilion), Guys and Dolls (Regent Theatre, Stoke-On-Trent), The Break (PickNMix Festival, The MAC, Belfast), Twelfth Night (Minack Theatre), Sweet Charity (The MAC, Belfast).

Composition

Recent composition credits include: The 39 Steps (Lyric Theatre, Belfast), The Tempest, Twelfth Night (Minack Theatre), The Nose, The Caucasian Chalk Circle, Lady Windermere’s Fan (The MAC, Belfast and Irish Tour), Dying For It (Mountview Academy of Theatre Arts, The Pleasance Islington) and The American Clock (Jacksons Lane and The New Players).

Voice Consultancy

Matthew is an experienced voice consultant working with singing and spoken voice. A proponent of evidence-based voice teaching, he was personally granted Estill teaching licensure by Jo Estill in 2003. He served on the Estill advisory board for several years, retiring from the organisation in 2018 after gaining service distinction. He continues to work with artistic professionals and institutions who wish to develop their understanding and practice.

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