Presenting

COURSES

  • ‘Musical Theatre Masterclass’ (Tom Ball Live: Leeds, 1 May 2016).
  • ‘Level One: Figures for Voice™’ (Arts1 School of Performance: Milton Keynes, 28−30 October 2015).
  •  ‘Techniques for Singing In Musical Theatre’ (Murcia, 7−9 July 2015).
  • ‘Level One: Figures for Voice™’ (Dixons Academy, Bradford, 2014).
  • ‘Estill Certification Testing’ (Reeve & Møller: Milton Keynes, 1−2 June 2013).

  • ‘Level One: Figures for Voice™’ (Reeve & Møller: Copenhagen, 10−12 May 2013).

  • ‘Certificate of Figure Proficiency Workshop’ (Reeve & Møller: Milton Keynes, 6−7 April 2013).

  • ‘Certificate of Figure Proficiency Workshop’ (Reeve & Møller: Copenhagen, 2−3 March 2013).

  • ‘Associate Study Days’ (Reeve & Møller: Copenhagen, 24 February 2013).

  • ‘Level Two: Figure Combinations for Six Voice Qualities™’ (Reeve & Møller: Scotland, 14−16 September 2012).

  • ‘Level One: Figures for Voice™’ (Reeve & Møller: Scotland, 7−9 September 2012).

  • ‘Level One: Figures for Voice™’ (Reeve & Møller: St Helens, 22−24 June 2012).

  • ‘Estill Voice Model Pedagogy Workshop (Advanced)’ (Reeve & Møller: Milton Keynes, 24−25 March 2012).

  • ‘Vocal Anatomy and Acoustics Workshop’ (Reeve & Møller: Milton Keynes, 25 February 2012).

  • ‘Reeve & Møller Certification Pathway Induction Workshop’ (Reeve & Møller: Milton Keynes, 21−22 January 2012).

  • ‘Level Two: Figure Combinations for Six Voice Qualities™’ (Reeve & Møller: St Helens, 11−13 November 2011).

  • ‘Level One: Figures for Voice™’ (Reeve & Møller: Read College, Reading, 28−30 October 2011).

  • ‘Level Two: Figure Combinations for Six Voice Qualities™’ (Reeve & Møller: Scotland, 2−4 September 2011).

  • ‘Level One: Figures for Voice™’ (Reeve & Møller: Scotland, 19−21 August 2011).

  • ‘Level One: Figures for Voice™’ (Reeve & Møller: St Helens, 1−3 July 2011).

  • ‘Estill Voice Model Pedagogy Workshop (Advanced)’ (Reeve & Møller: Milton Keynes, 13−14 November 2010).

  • ‘Associate Study Days’ (Reeve & Møller: Berlin, 6−7 November 2010).

  • ‘Level One: Figures for Voice™’ (Reeve & Møller: Queens University, Belfast, 29−31 October 2010).

  • ‘Level One: Figures for Voice™’ (Reeve & Møller: London, 25−26 October 2010).

  • ‘Vocal Anatomy and Acoustics Workshop’ (Reeve & Møller: Milton Keynes, 16 October 2010).

  • ‘Level Two: Figure Combinations for Six Voice Qualities™’ (Reeve & Møller: Scotland, 3−5 September 2010).

  • ‘Level One: Figures for Voice™’ (Reeve & Møller: Scotland, 20−22 August 2010).

  • ‘Estill Voice Model Pedagogy Workshop (Advanced)’ (Reeve & Møller: Scotland, 6−7 March 2010).

  • ‘Associate Study Days’ (Reeve & Møller: Scotland, 8−9 May 2010).

  • ‘Level Two Course: Figure Combinations for Six Voice Qualities’ (Reeve & Møller: Copenhagen, 26 February 2010).

  • ‘Vocal Anatomy and Acoustics Workshop’ (Reeve & Møller: Scotland, 20 February 2010).

  • ‘Level One: Figures for Voice™’ (Reeve & Møller: Copenhagen, 29−31 January 2010).

  • ‘Estill Certification Testing’ (Reeve & Møller: Milton Keynes, 23−24 January 2010).

  • ‘Estill Certification Testing’ (Reeve & Møller: Copenhagen, 3−4 October 2009).

  • ‘Estill Voice Model Pedagogy Workshop (Advanced)’ (Reeve & Møller: London, 7−8 September 2009).

  • ‘Estill Level Two Course: Figure Combinations for Six Voice Qualities’ (Reeve & Møller: Motherwell, 4−6 September 2009).

  • ‘Estill Level One Course: Compulsory Figures for Voice Control’ (Reeve & Møller: Motherwell, 21−23 August 2009).

  • ‘Estill Certification Testing’ (Reeve & Møller: Milton Keynes, 13−14 August 2009).

  • ‘Estill Voice Training System Level One: Compulsory Figures for Voice Control’ (Voxhumana: Det Danske Musical Akademi, Fredericia, 24-26 November 2006).

  • ‘Estill International Symposium’ (Estill International: Boulder, Colorado, 7−9 August 2009).

  • ‘Reeve & Møller Associate Dinner’ (Reeve & Møller: Boulder, Colorado, 6 August 2009).

  • ‘Musical Theatre Masterclass with Reeve & Møller’ (Reeve & Møller: Copenhagen, 4−5 July 2009).

  • ‘Estill Level One Course: Compulsory Figures for Voice Control’ (Reeve & Møller: Berlin, 5−7 June 2009).

  • ‘Estill Certification Testing’ (Reeve & Møller: Milton Keynes, 30−31 May 2009).

  • ‘Estill Certification Testing’ (Reeve & Møller: Copenhagen, 26−26 April 2009).

  • ‘Vocal Anatomy and Acoustics Workshop’ (Reeve & Møller: Copenhagen, 25 April 2009).

  • ‘Estill Level Two Course: Figure Combinations for Six Voice Qualities’ (Reeve & Møller: London, 17−19 April 2009).

  • ‘Estill Level One Course: Compulsory Figures for Voice Control’ (Reeve & Møller: London, 27−29 March 2009).

  • ‘Musical Theatre and Belting Day’ (Reeve & Møller: Belfast, 15 March 2009).

  • ‘Introduction to Estill Voice Training’ (Reeve & Møller: Belfast, 14 March 2009).

  • ‘Estill Certification Testing’ (Reeve & Møller: Berlin, 14−15 February 2009).

  • ‘Estill Voice Model Pedagogy Workshop (Advanced)’ (Reeve & Møller: London, 7−8 February 2009).

  • ‘Estill Level Two Course: Figure Combinations for Six Voice Qualities’ (Reeve & Møller: Copenhagen, 23-25 January 2009).

  • ‘Estill Level One: Figures for Voice’ (Reeve & Møller: Copenhagen, 9−11 January 2009).

  • ‘Vocal Anatomy and Acoustics Workshop’ (Reeve & Møller: London, 7 December 2008).

  • ‘Estill Certification Testing’ (Reeve & Møller: Milton Keynes, 22 November 2008−23 November 2008

  • ‘Estill Certification Testing’ (Reeve & Møller: Copenhagen, 11−12 October 2008).

  • ‘Estill Level Two Course: Figure Combinations for Six Voice Qualities’ (Reeve & Møller: Glasgow, 3−5 October 2008).

  • ‘Estill Level One Course: Compulsory Figures for Voice Control’ (Reeve & Møller: Glasgow, 19−21 September 2008).

  • ‘Estill Certification Testing’ (Reeve & Møller: London, 9−10 August 2008).

  • ‘Estill Voice Model Pedagogy Workshop (Advanced)’ (Reeve & Møller: London, 7−8 August 2008).

  • ‘Vocal Anatomy and Acoustics Workshop’ (Reeve & Møller: London, 6 August 2008).

  • ‘Estill Certification Testing’ (Reeve & Møller: London, 10−11 May 2008).

  • ‘Estill Level Two Course: Figure Combinations for Six Voice Qualities’ (Reeve & Møller: Copenhagen, 25−27 April 2008).

  • ‘Vocal Anatomy and Acoustics Workshop’ (Reeve & Møller: London, 19 April 2008).

  • ‘Estill Level Two Course: Figure Combinations for Six Voice Qualities’ (Reeve & Møller: London, 11−13 April 2008).

  • ‘Estill Level One Course: Compulsory Figures for Voice Control’ (Reeve & Møller: Copenhagen, 4−6 April 2008).

  • ‘Estill Level One Course: Compulsory Figures for Voice Control’ (Reeve&Møller: London, 28−30 March 2008

  • ‘Estill Level One Course: Compulsory Figures for Voice Control’ (Reeve & Møller: Ballina, 15−17 February 2008

  • ‘Estill Certification Testing’ (Reeve & Møller: London, 12−13 February 2008).

  • ‘Estill Voice Model Pedagogy Workshop (Advanced)’ (Reeve & Møller: London, 9−10 February 2008).

  • ‘Vocal Anatomy and Acoustics Workshop’ (Reeve & Møller: London, 26 January 2008).

  • ‘Estill Certification Testing’ (Reeve & Møller: London, 1−2 December 2007).

  • ‘Estill Level One Course: Compulsory Figures for Voice Control’ (Reeve & Møller: Fredericia, 23−25 November 2007

  • ‘Vocal Anatomy and Acoustics Workshop’ (Reeve & Møller: Glasgow, 6 October 2007

  • ‘Estill Level Two Course: Figure Combinations for Six Voice Qualities’ (Reeve & Møller: Edinburgh, 28−30 September 2007

  • ‘Estill Level One Course: Compulsory Figures for Voice Control’ (Reeve & Møller: Edinburgh, 14−16 September 2007

  • ‘Estill Certification Testing’ (Reeve & Møller: London, 25−26 August 2007).

  • ‘Estill Certification Testing’ (Reeve & Møller: Copenhagen, 12 August 2007).

  • ‘Estill Voice Model Pedagogy Workshop (Advanced)’ (Reeve & Møller: Copenhagen, 10−11 August 2007).

  • ‘Third Estill World Voice Symposium’ (Estill Voice International: IT University of Copenhagen, 5−7 August 2007).

  • ‘Estill Level One Course: Compulsory Figures for Voice Control’ (Reeve & Møller: Copenhagen, 2−4 August 2007).

  • ‘Vocal Anatomy and Acoustics Workshop’ (Reeve & Møller: London, 28 July 2007).

  • ‘Estill Voice Model Pedagogy Workshop (Advanced)’ (Reeve & Møller: London, 21−22 July 2007).

  • ‘Estill Certification Testing’ (Reeve & Møller: London, 19−20 May 2007).

  • Vocal Anatomy and Acoustics Workshop’ (Reeve & Møller: Milton Keynes, 6 May 2007).

  • ‘Estill Level Two Course: Figure Combinations for Six Voice Qualities’ (Reeve & Møller: London, 27−29 April 2007).

  • ‘Estill Level One : Compulsory Figures’ (Reeve and Moller: Mountview Academy of Theatre Arts, London, 13−15 April 2007).

  • ‘Estill Certification Testing’ (Reeve & Møller: Milton Keynes, 24-25 February 2007).

  • ‘Belting Explained’ (Vocal Process: RADA, London, 10 February 2007).

  • ‘Vocal Anatomy and Physiology Day’ (Reeve & Møller: Mountview Academy of Theatre Arts, London, 18 November 2006).

  • ‘Vocal Anatomy and Acoustics Workshop’ (Reeve & Møller: London, 11 November 2006−11 November 2006).

  • ‘Estill Certification Course’ (Reeve & Møller: Motherwell College, Motherwell, 16-18 October 2006).

  • ‘Estill Voice Training System Level Two’ (Reeve & Møller: Stow College, Glasgow, 13-15 October 2006).

  • ‘Estill Voice Training System Level One: Compulsory Figures for Voice Control’ (Reeve & Møller: Stow College, Glasgow, 29 September – 1 October 2006).

  • ‘Estill Voice Training System Level One: Compulsory Figures for Voice Control’ (Fourth Avenue Christian Church, Columbus, Ohio, 6-8 April 2006).

  • ‘Estill Voice Training System Level Two’ (Mountview Academy of Theatre Arts, London, 24-26 March 2006).

  • ‘Estill Workshop for Voice, Speech and Drama Teachers (Stow College, Glasgow, 18 March 2006).

  • ‘Musical Theatre Training Day’ (Europa Hotel, Drogheda, 25 February 2006).

  • ‘Vocal Anatomy and Physiology Day’ (Reeve & Møller: Stow College, Glasgow, 18 February 2006

  • ‘Singing for the Young Actor’ (Live & Loud Stage School, Glasgow, 17 February 2006).

  • ‘Estill Voice Training System Level One: Compulsory Figures for Voice Control’ (Northampton College, Northampton, 10-12 February 2006).

  • ‘Musical Theatre Diction Day’ (Reeve & Møller: Mountview Academy of Theatre Arts, London, 3 December 2005).

  • ‘Estill Voice Training System Level One: Compulsory Figures for Voice Control’ (Mountview Academy of Theatre Arts, London, 21-23 October 2005).

  • ‘Estill Voice Training System Level Two’ (Reid Kerr College, Paisley, 30 September – 2 October 2005).

  • ‘Vocal Anatomy and Physiology Day’ (Mountview Academy of Theatre Arts, London, 24 September 2005).

  • ‘Estill Voice Training System Level One: Compulsory Figures for Voice Control’ (Reid Kerr College, Paisley, 16-18 September 2005).

  • ‘Estill Voice Model Refresher Day’ (The Well at Willen, Milton Keynes, 4 September 2005).

  • ‘Introduction to the Estill Voice Model’ (Mountview Academy of Theatre Arts, London, 30 August 2005).

  • ‘Musical Theatre Training Course’ (The National Piping Centre, Glasgow, 1-3 July 2005).

  • ‘Belting and Musical Theatre Day’ (The National Piping Centre, Glasgow, 29 May 2005).

  • ‘Introduction to the Estill Voice Model’ (The National Piping Centre, Glasgow, 28 May 2005).

  • ‘Estill Voice Model Level 1: Compulsory Figures for Voice Control’ (Voxhumana: Klaverfabrikken, København, 28-30 January 2005).

  • ‘Belting Explained’ (Vocal Process Limited: Royal Acamdemy of Dramatic Arts, London, 27 November 2004).

  • ‘Musical Theatre Intensive’ (Vocal Process Limited; Royal Scottish Academy of Music and Drama, Glasgow, 6-8 August 2004).

  • ‘Advanced Core Training’ (Vocal Process Limited: Academy of Contemporary Music, Guildford, 3-4 July 2004).

  • ‘Core Training’ (Vocal Process Limited: Goldsmiths College, London, 16-18 April 2004).

  • ‘Practical Phonetics’ (Vocal Process Limited: Swedish Church, London, 3 April 2004).

  • ‘Belting Explained’ (Vocal Process Limited: Birmingham School of Speech and Drama, 1 November 2003).

  • ‘Musical Theatre Intensive’ (Vocal Process Limited: Royal Scottish Academy of Music and Drama, Glasgow, 8-10 August 2003).

  • ‘Belting Explained’ (Vocal Process Limited: English Touring Theatre, London, 2 December 2002).

  • ‘Musical Theatre Intensive’ (Vocal Process Limited: Royal Scottish Academy of Music and Drama, Glasgow, 9-11 August 2002).

PAPERS

  • ‘Voice Quality Theory and Application: A Brief History of Phonation’ (Third Estill World Voice Symposium: Copenhagen, August 2007).
  • ‘Allophonic Options in Contemporary Singing’ (EVTS Second World Symposium: Orlando, Florida, November 2005).
  • ‘Phonetics at Mountview’, with Rick Lipton (Phonetics Teaching & Learning Conference – PTLC2005: London, July 2005).
  • ‘Integration of Estill Voice Craft into Actor Training at Mountview Academy of Theatre Arts, London, UK’, with Rick Lipton (EVTS First World Symposium: Santa Rosa, California, July 2003).

PRESENTATIONS

  • ‘Introduction to the Estill Voice Training System for Speech and Language Therapists’ (West Midlands Voice SIG: City Hospital, Birmingham, June 2006).
  • ‘The Work of the Voice Consultant’ (Vocal Nodules – Oxford Voice and Laryngectomy SIG: Horton Hospital, Oxford, June 2006).

POSTERS

  • ‘Advanced Vocal Training with Vocal Process: Computer Voice Analysis’, with Jeremy Fisher and Gillyanne Kayes (Fifth Pan European Voice Conference: Graz, Austria, August 2003).

Download:
Advanced Vocal Training with Vocal Process: Computer Voice Analysis
[PDF | 13 pages | 681 KB]

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BOOKS

  • Editor: First Steps Towards An Acting Career
  • Editor: Training An Actor’s Voice
  • Contributor: Singing And The Actor